Naked Roommate: Pass The Loofah 12″

Description

Oaklands Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group – originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) – self-released a cassette of demos (2018s Naked Roommate). Members Michael Mig Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album Do The Duvet, co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic Pass The LoofahRecorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, Pass The Loofah retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UKs On-U Sound & NYCs 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body MOVE & Naked Roommate wont stop until theyve made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the groups uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area)Take the first single Bus; a four-on-the-floor banger & salutary paeon to the ups & downs of the peoples transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, Fight Flights funky horn stabs and Sermenos slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. Broken Whisper edges into new territory for the group, adding a Caribbean flavor ala Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like Ducky & Viv, G-Y pt. 1 & G-Y pt. 2 oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer I Cant Be Found might be the albums secret weapon; Its swooning synth melody & processed vocals recall early Daft Punk or MGMT by way of Derrick Carter & The Au Pairs. Its a beautiful song; perfect for the late night (or early morning) car ride home from the club.

Our take: Pass the Loofah is the second proper album from this Bay Area group. Naked Roommate originally spun off from a band called the World, whose 2019 record Reddish remains one of my most-played records of the 2010s. While the World was an earthy, organic-sounding group with deep sonic roots in the early Rough Trade Records discography, Naked Roommates sound leans into early 80s electronic beats and synthesizer pulses, albeit still laced with the irreverent lyricism, forward-thinking artistry, and comfy DIY aesthetic the World leaned on. But what strikes me most about Pass the Loofah isnt the aesthetic, but the craftsmanship and artistry I hear on the album. So much music today is made for short attention spans and instant disposal, focusing too much on surface-level aesthetics rather than crafting songs with strong bones. Pass the Loofah bucks this trend with a substantial 41-minute runtime that takes the listener through a range of unique landscapes, an epic journey rather than a toe dipped into a diluted, lukewarm bath. For me, one of Naked Roommates strengths is that they never decide whether theyre a dance band, a pop group, or an art project. Tracks like No Kicker and Bus have tough, danceable rhythms from the 99 Records / ESG school, but while the beats take center stage, the songs are stacked with memorable hooks, like the chorus refrain of we take the bus or Reasons Why, where the chorus of thats whyyyyyyyyy I looooooove you cleverly subverts the unromantic mundanity in the verse imagery. And these pop moments go down all the more smoothly because theyre cut with so much art school roughage. A standout in this vein is Successful Friend, a funky, Talking Heads-esque track with great lyrics, my favorite being among your many successes () is having your designs printed on pajamas across the world!, a line thats bound to bring a smile to the face of any Uranium Club or Cool Greenhouse fan. Even further out are the albums three instrumental tracksincluding the Neu!-ish Ducky & Viv and the electric-era Miles Davis-channeling G-Y pt. 2which are among my favorite on the album. Theres so much variety on Pass the Loofah, and not only does nothing feel redundant, but as youre listening the record seems to spiral ever-upward, each song reaching new heights. The experience culminates with I Cant Be Found, a soft landing that reminds me of the way Enos Here Come the Warm Jets closes with its title track. Typically, a good record is one I want to play again as soon as its over, but Pass the Loofahs wider scope and ambition leave me wanting to sit in silence and process what Ive heard, a sign that Ive consumed a substantial piece of art rather than just a bunch of instantly gratifying empty musical calories.