Description
Written and recorded amidst the devastating bushfires which ravaged his adopted hometown Canberra, just before the wave of pandemic broke, Shoot Out The Cameras reveals John Sharkey III to be a master craftsman; honing in on the existential dread of living in a burning world, and the imperative to find beauty in what remains. Perhaps best known as the creative force behind Clockcleaner, Sharkeys credentials include Cleveland’s 9 Shocks Terror and more recently, literate rock explorations as Puerto Rico Flowers and Dark Blue., the latter having released a pair of 12XU full-lengths. It was love (of course) that brought Sharkey from Philly to Melbourne in 2008, where he worked behind the bar at beloved venue, The Tote. Sharkey and his partner Yasmin moved back to Philly for several years; then, amid the darkening landscape of US politics, the couple decided to settle in Canberra, Yasmins hometown. At a physical but not psychological remove from the horrifying dysfunction of Trumps America, Sharkey watched catastrophic bushfires encircle Canberra, raging through the hills of the Southern Tablelands, the city glowing orange, the suburbs suffocating in smoke. This is when the songs of Shoot Out The Cameras took form. As if to echo the craters of before and after that apocalyptic events leave in our collective consciousness, the songs arranged themselves into a cinematic narrative arc, from the foreboding of disaster (Side A) through its aftermath (Side B). The background horrors of totalitarianism, paranoia and surveillance also stalk the albumhe cameras of the title inspired by Canberras omnipresent CCTV and speed camerasjust to add to the unmistakable sense of impending doom. Features guest appearances from Mary Lattimore and Duncan Lowe.






Reviews
There are no reviews yet.